Rounded binary form is a slight variation
on the simple binary. The variation is
found in the fact that the second section states a new musical idea
"B" and then returns to the first idea "A." The diagram of this form would be A - (B A)
as opposed to the typical A-B of a regular binary form.
Some people
may think of this as ternary (3 part) form (A-B-A), but there are several
differences between a true ternary and a rounded binary form. First, the "B" section of a true
ternary form dramatically contrasts the musical statement of the "A"
section. In rounded binary, the
"B" section can have similar musical attributes to the "A"
section. Second, the return of
"A" in rounded binary is usually abbreviated (half of the original
statement). In true ternary form the
return of "A" is a complete restatement of the section.
The
"B" section of a rounded binary form usually moves to a new
(temporary) key center. Pieces that are
in a major key often move to the key a fifth above (the dominant) for this
temporary key center. Pieces that are in
a minor key often move to the relative major.
Another technique composers use in the "B" section is
fortspinnung. This is a German term for
a sequence of intervallic changes that take a musical motif through a process
of development. The "B"
section usually ends with a dominant harmony of the original key which leads
back to the tonic for the repeat of "A." The picture below is a slide from the my Learning Music With Ray video on rounded
binary form. It shows an original
composition which is an example of rounded binary.
This Learning Music With Ray video discusses rounded binary form. In it, I review binary form and point out the different aspects of rounded binary. I then analyze a piece of music that is written in rounded binary form. I explain the components of this type of form, and the ways to identify them in the musical example.
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